Women of Genre

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I’ve just signed up for the Worlds without End Women of Genre Fiction Reading Challenge. I’m using it as a way of discovering speculative fiction written by women. There’s so many there. Huge holes in my reading to fill. I’m still fiddling with the 12 writers I will choose, but having just heard Lauren Beukes interviewed as part of the Sydney Writers Festival, her name moves closer to the top of my list.

Speaking of marvellous speculative fiction: Congratulations to the 2012 Aurealis Award winners. It was Margo Lanagan’s year with four awards. Her writing is both something to aspire to and to be carried away by. I was a judge of Science Fiction short stories last year and discovered some fine writing by men and women both.

Kameron Hurley’s essay “We have always fought: Challenging the ‘Women, Cattle and Slaves’ narrative” makes for some interesting reading.

Onwards and upwards

Im/possible Joy: a list

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Invisibility
Water curling down a tree trunk
Aching Sunshine
A whipbird and a dark cloud
A perfect, red autumn leaf
Immortality
Or the choice of mortality
A child asleep.
A prophetic dream in which a true choice is made known.
Song, sunlight and cake making on a Sunday afternoon.
A Tom Gauld cartoon.

Milky Way

Anything to add?

I didn’t know your Mum was white

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I’m jumping onto a very thin tightrope with quite slippery shoes to protest the curious reaction people can have to our family: my children, my husband, me. It’s nothing like discrimination, or even lack of acceptance, it’s the reminder that somehow you’re other, a little bit different. It’s not awful, it’s just … wearing.

So, yes, I’m the Mum who is white. Pasty and glowing if you ask my children. And they don’t mean glowing in a good way. My husband, their Dad, was born in Burma. His Dad was Indian, his Mum Karen. That makes him complicated to explaim and most people feel they require an explanation. How did you meet? People are usually disappointed in the answer; they expect an exotic tale. Nup, my husband is the most unexotic of creatures. And happy to be so. I recently succumbed to conversational pressure by telling a new acquaintance that he was born in Burma. “I wish you hadn’t done that,” he said. He’s not ashamed of it, it’s just that however he understands his birthplace and parentage as part of his identity, he knows that other people are unlikely to understand it in the same way.

My children? Let’s just say my children had a vast array of clothing to choose from on Harmony Day. What did they wear? Sydney Swans jerseys usually. Past tense, because High School doesn’t seem to entertain such notions. And the days of having to explain their origins to casual passersby,the once inevitable questions about where their father was from or the possibility that they were adopted, those days are over. Forgotten. Until, at a gathering, someone who’s seen me will say to one of my daughters: I didn’t know your Mum was white. As if this has to be pinned down. I’m not completely sure why, or how it helps, but it’s something more than curiosity, something bordering on extreme surprise. The burden of questions has passed on to my, usually indignant, daughters.

Far more interesting to say: I didn’t know your Mum was: painting the house/ in love with Dr Who / playing the piano / thinking of writing a story on twitter/ dreaming of small mice and silvery grass when she drove through the night to collect you. To be fair, how would they know to ask those questions? Perhaps it would be enough if they realised that behind the skin and the gender, the age and the voice, I am, like my daughters, like all human beings, an intricate, contradictory mass of identities, desires, interests and obsessions. Ask the Smiths. They know.

Strandbeest

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I’m a little bit in love with Theo Jansen’s Strandbeest. He describes them as a new life form, “skeletons that are able to walk on the wind”. He hopes that that will adapt to the elements to the point where he can leave them out on the beach in herds. They have names like Animaris Ordis Parvis. Some are twin animals, each being specialising in certain functions and living in symbiosis with the other. Are they a new life form? I’m not sure. Independent thought and consciousness are perhaps not there yet. But it could be that they will come. And that would be something remarkable.

Nature of the beast

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I’ve been putting together some thoughts for my next book. There will be strange, hybrid creatures and there will be humans who become partly animal, slightly other. I’ve been thinking about how that will change them, because of course it must. I don’t like to admit to being influenced by physiology. But, if I’m honest, I’d have to say there are times where I am straggly and unhappy, when my body and my mind are working against me. I wonder if you made the choice to change, to take on something new, would you embrace the differences?

I used to make jokes about the dog-lizard wars in our backyard. That was when we had only one dog, Pipper, a not very bright, not very co-ordinated Brittany Spaniel. He would chase the lizards. They would always get away. What few brain cells Pipper had at his disposal were diminished when he slammed into the pool fence chasing the rapidly disappearing lizard. Then we rescued a Staffy cross we called Nemo. To us he seemed placid, docile, loving and incredibly old. As he recovered and grew stronger he first put Pipper in his (lowly) place and then set about terrorising any wildlife that was foolish enough to come into our backyard. He has been out on the pool cover after an Eastern Water Dragon – a place both I and the Dragon thought was completely safe. He stalks, he lurks, he lies in wait. He is much much smarter than the lizards. Blood has been shed.

It’s not just the nature of the mind, but of the body too. Both our dogs have predator’s instincts. Only one of them is able to put them to any real use. Could a human who found herself with wings, really know what it means to fly? Whales are said to have a unique sensory organ in their chin that can sense thihgs no other creature can. What would you experience if you suddenly had this sense? As you can see I’m at the very early stages of this, where there’s lots to explore and it’s all possibility. But it’s a good antidote to the serious editing that the current work expects. As long as I don’t float away.

Picturing characters.

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This is my drawing of the K’lenws, a character from the novel I’m working on now. And no, it doesn’t quite look like the image I have in my head, but that’s mostly because of my limited drawing skills.
There’s a great article over at Jacket Mechanical on picturing books, particularly characters in books. Peter Mendelsund argues that although we remember the experience of reading a book as a continuous unfolding of images, in fact the images we hold are very hazy. He even warns that “One should only watch a film adaptation of a favorite book after considering, very carefully, that the casting of the film may very well become the permanent casting of the book in one’s mind.”
I’ve known people to resist seeing a film because the characters won’t look like the people they’ve imagined, but for me, it is more about the overall feel. Will the film capture the mood, the ambience of the book? When I read something I’m engrossed in (and when I write a character I know well) there is certainly something about them, an essence, that I hold in my brain. But is it a complete image? I don’t know that it is. Although I’d know if the image was wrong.
In many ways I think the reader needs to be able to fill in the image for themselves. My daughter, for example, imagined Sckel in What the Dead Said as wearing a hat. No hat was mentioned, but for her a hat was just right.
What do you think? Are the images for the characters you read/write clear or hazy?

Book Giveaway now closed

Just a quick note to say that the Australia Day Book Giveaway is now closed. I’ll be collating all the entries and running them through random.org very soon. (update: the winner is bn100. Congratulations!) Thank you all so much for all your comments, likes and follows and tweets. I hope each and every one of you is able to win something from one of the book giveaway bloggers. Happy reading.

Australia Day Book Giveaway

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australiadaybloghopJanuary for me means sifting floating ants from the top of my coffee then drinking it in front of a fan. And it means more time than usual to read books (at least, more time that shouldn’t be spent doing something else). Which makes me glad that I am part of the Australia Day Book Giveaway Blog Hop hosted by Book’d Out and Confessions from Romaholics.
My giveaway is a copy of my book, What the Dead Said, to someone who comments, likes, or follows this blog. The winner will be chosen at random and I am happy to send the book anywhere in the world. Entries close at midnight on 28 January. Good Luck!

The Next Big Thing

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This is my part of The Next Big Thing author blog hop. Thanks to Travis McKenzie for the tag.

What is the working title of your next book?
The Test, though that really is very much a working title. Haven’t been able to come up with anything more compelling yet.
Where did the idea come from for the book?
The Test depicts a society which believes it can determine a person’s underlying moral inclination. The idea sprang from hearing psychologist Gina Perry’s analysis of Stanley Milgram’s experiments in the 1960s in which participants were encouraged, despite their misgivings, to obey the instructions of an authority figure. Those who “failed” these experiments, those who went ahead and obeyed, were told that the experiment had revealed a core of evil. What if a society took that judgment seriously?
In this story, those who pass a final Test at the age of 25 are seen as being inherently good. Those who fail are thought to be inherently evil and are encouraged to submit to treatment. Nobody truly expects to fail and no-one knows that those who fail and who accept punishment are turned into gargoyles.
Throughout the book, various characters struggle with their own notions of good and evil. However, the fundamental question is not the nature of evil, but the perception of difference – the creation of us and them.
What genre does your book fall under?
Speculative fiction
What actors would you choose to play the part of your characters in a movie rendition?
Most of the characters in my book are from what is known as the forgotten areas. Perhaps a few forgotten actors could be discovered/ rediscovered?  But have to say I really admired Jennifer Lawrence in The Hunger Games.
What is the one-sentence synopsis of your book?
Perhaps you’re not so different from the gargoyle/person beside you.
How long did it take you to write the first draft of the manuscript?
Six months and counting.
What other books would you compare this story to within your genre?
Someone who read a little of it very kindly said it reminded them of George Orwell’s 1984. (and of course I’m not Orwell, but there are some echoes of psychological dystopia)
Who or what inspired you to write this book?
Hearing the stories of those people who had obeyed the instructions in Milgram’s experiments and how the quick, thoughtless judgement that they had a “core of evil” affected their whole lives.
What else about the book might pique the reader’s interest?
Other strange creatures such as the K’lenws which looks like a small gargoyle, loves to eat chocolate and has made a home out of builder’s rubble.

You might like to take a look at The Next Big Thing on Danny Fahey’s or Bob Ashby’s blogs too.

Catalina

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I’ve been tagged by T.B.McKenzie (a fellow Dragonfall Press author) to post something about my current work-in-progress as part of The Next Big Thing. I’ve spent some time recently reading some other Dragonfall writing and have just finished Danny Fahey’s Catalina. It’s a curious mix: a fairy story in which you think you know all the characters, but which still surprises you. The protagonist, Catalina, is an orphan who needs to discover her true identity and her own abilities. So far, so familiar? There’s also an evil witch aunt, a knife-throwing villain, a transformed rat, defeated wizards and a lonely prince who has been turned into a wolf-boy. You’ve come across these characters before, right? But Fahey mixes it all up into his own insightful blend. Although Catalina is described as a young adult novel, this is an ageless book for lovers of fairy tales. There are echoes of Lemony Snicket’s A Series of Unfortunate Events and Antoine de Saint-Exupéry’s The Little Prince. But the writing is Fahey’s own: charming, delightful and a pleasure to read.
My answers to The Next Big Thing questions will be up on 19 December. (as will Danny’s and Bob Ashby’s)

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